selected writing

features + reviews

  • FIDMarseille: Fascist Equestrians and Others for Filmmaker Magazine

  • Berwick 2025: Round Here for Documentary Magazine

  • IFFR 2025: Dispatches from the 54th International Film Festival Rotterdam for Screen Slate

  • Tropical Maladies for Film Comment

  • Destroy, She Said + Dark Night, Calcutta for Screen Slate

  • Distant Voices – The Flaherty Film Seminar for TANK

  • Films that Make Invisible Migrant Lives their Focal Point for the Financial Times

  • Hong Kong’s golden age of cinema charmed the world — and left an enduring legacy for the Financial Times

  • Programme Notes for ‘Precarious Landscapes’ for the Barbican

  • Lawrence Lek New Artist’s Essay for LUX

  • Absence as Presence in the Cinema of Marguerite Duras for A Rabbit’s Foot

  • Life as art: Kim Min-hee in the films of Hong Sang-soo for A Rabbit’s Foot

  • Little, Big and Far: Jem Cohen turns his thoughtful gaze to the stars for Sight & Sound

  • A Cinema of Genocide at the Berlinale for Berlinale Talents Press

  • Cinema Embodied: A Locarno Critics Academy Correspondence for MUBI Notebook

  • The negative hand: Deep underground a hand reaches out from 30,000 years ago for TANK

  • 40 years of Bette Gordon's cult neo-noir feminist thriller Variety for i-D

  • Communication Problems: revisiting Nam June Paik for ALT/KINO

  • A look behind London’s independent cinema scene for the Financial Times

interviews

  • Maryam Tafakory on Erased Iranian Film History for Frieze Issue 250

  • Jessica Sarah Rinland Discusses Her Latest Sensorial Documentary ‘Collective Monologue’ for Variety (co-written with Nicolas Pedrero-Setzer)

  • Harmony Korine: ‘I don’t watch movies anymore. I’m bored by them’ interview feature for Dazed & Confused

  • Radu Jude: ‘Professional filmmakers are in crisis – which is good’ for Dazed & Confused

  • Pepe: Interview with Nelson Carlo de Los Santos Arias for AnOther Magazine

  • All of Us Strangers, a film about ‘the pain we try to keep hidden away’: Interview with Andrew Haigh, Andrew Scott, Paul Mescal for Dazed & Confused

  • Savanah Leaf’s A24 debut spotlights the realities of Black Motherhood for Dazed & Confused

  • Something new and truly challenging: Anti-Mass are creating a subversive musical language for Mixmag

Podcast appearances